DESCRIPTION OF IMAGES
BY DESMOND KYNE
![]() |
THE CHRIST HE MET
IN THE EUCHARIST
. IS THE SAME CHRIST HE MEETS IN THE CLASSROOM The kneeling Edmund in the upper panel now gives way to the standing Edmund, meeting Christ in the classroom. The man of deep spirituality and inspiring idealism becomes the man of down-to-earth practicality: the worlds of spirit and matter meet and become one. The light of the Holy Spirit flows in at the top left-hand side; there are shelves of books, and Edmund is there with a group of his first pupils. His vision of their future, dignified, fulfilled and Christ-centred, shines in the eyes and radiates from his posture. These street-kids are embraced by the pierced hands of the crucified Saviour, and from a time-bound clock, the timeless spiral spreads throughout the classroom. The classroom clock striking on the hour signalling the time to pause and pray, became the symbol of Edmund Rice schools: the Sacred domain was to animate all aspects of learning. For more than a century the brothers stood for this principle even though it meant being deprived of funds as a result. |
THE PATRIARCH OF THE MONKS OF THE WEST The base line series of images links Edmund Rice with the past-a past rich in spirituality, art, culture, selfless endeavour and shining achievement. It was a past of which Edmund had a keen awareness and from which he drew inspiration, motivation and encouragement. In him, the Golden Age found a point of renewal, and to him the concept of the Island of Saints and Scholars was not a felicitous historical fact buried in the past but an objective which could be attained anew. He picked up the threads which centuries of suppression and strife had broken, and applied his vision and charism to weaving them together into a new fabric. Daniel OConnell admired his work greatly, and referred to him as "the patriarch of the monks of the West". The base panel recalls men of holiness and wisdom of a much earlier age-monks in whose footsteps he was destined to walk; monks in whose goodly company he found an honoured place. |
![]() |
Here is Colmcille again, now an artist, a master craftsman, bent in concentration on his work. He is the patron saint of Irish artists. |